https://www.ceeol.com/search/article-detail?id=1389135
https://doi.org/10.60056/Lit.2025.35.177–199
Yanitsa Radeva
This article explores contemporary practices from the period 2000–2025 that blur the boundaries between literature and the visual arts. It attempts to reconstruct groupings and models of literary presentation that involve the collaboration of literature with other art forms such as performance, video, and photography. The text focuses on several art collectives and specific events, as well as on the visual projects, the calligraphic paintings and others. Through these examples, the article aims to trace how new media and artistic strategies reorganize the literary space and reshape the ways in which literature is perceived, presented, and experienced.
Keywords: visual poetry, performance, music, calligraphy, photography, festival, art group
About the Author: Yanitsa Radeva is a phD of literature. He is the author of the monograph “The Promised Circle. Times and spaces in the poetry of Ivan Teofilov”, the poetry collections “Another Rhythm” (2003) and “The Hive of the Words” (2012), several novels, the most recent of which is “The Year That Began on Sunday” (2024). Her scientific interests are in the field of modern Bulgarian literature. There are publications on the issues of book publishing and on the spaces of coercion and their literary image during the Renaissance. He is the author of the collection “De profundis, or on the foundations of literature. Anniversary collection in honor of Emilia Dvoryanova” (2018) and the anthology Stihopadi.
